Discarded industrial objects found in my surroundings inspired this series of paintings. Now removed from their original duty, their physicality stands as testimony to their labor. While others may find these things unremarkable, I find them intriguing. Evidence of human ingenuity emits from them.
When I happened upon an old, rusty compass, I pondered its history. Where did it come from, who used it, what did they draw with it, and why was it left outside? Repurposed, it now serves a purely aesthetic, nonfunctional role in its retirement.
I have a sentimental connection to these discarded objects, appreciating their form as well as function. I come from a long line of tradesmen: mechanics, quilters, chefs and wood workers. Artisans skilled in the tools of their trade, engaging their hands as well as mind. Much of our output today is in digital rather than physical form.
In contrast, artisans have a real connection to a tangible product, cultivating pride in their work. Tradesmen working 100 years ago would not consciously build something to wear out and fail so it could be replaced quickly. Pick up any old tool or part and it is clear these quality items were crafted for endurance. The mechanical character of the objects and the organic nature of the encaustic beeswax created an interesting juxtaposition for me to explore for this body of work.
When I happened upon an old, rusty compass, I pondered its history. Where did it come from, who used it, what did they draw with it, and why was it left outside? Repurposed, it now serves a purely aesthetic, nonfunctional role in its retirement.
I have a sentimental connection to these discarded objects, appreciating their form as well as function. I come from a long line of tradesmen: mechanics, quilters, chefs and wood workers. Artisans skilled in the tools of their trade, engaging their hands as well as mind. Much of our output today is in digital rather than physical form.
In contrast, artisans have a real connection to a tangible product, cultivating pride in their work. Tradesmen working 100 years ago would not consciously build something to wear out and fail so it could be replaced quickly. Pick up any old tool or part and it is clear these quality items were crafted for endurance. The mechanical character of the objects and the organic nature of the encaustic beeswax created an interesting juxtaposition for me to explore for this body of work.